Salomon “Sally” Sorowitsch is the king of counterfeiters. He
lives a mischievous life of cards, booze, and women in Berlin
during the Nazi-era. Suddenly his luck runs dry when arrested by
Superintendent Friedrich Herzog. Immediately thrown into the
Mauthausen concentration camp, Salomon exhibits exceptional
skills there and is soon transferred to the upgraded camp of
Sachsenhausen. Upon his arrival, he once again comes face to face
with Herzog, who is there on a secret mission. Hand-picked for
his unique skill, Salomon and a group of professionals are forced
to produce fake foreign currency under the program Operation
Berhard. The team, which also includes detainee Adolf Burger, is
given luxury barracks for their assistance. But while Salomon
attempts to weaken the economy of Germany’s allied nents,
Adolf refuses to use his skills for Nazi profit and would like to
do something to stop Operation Bernhard's aid to the war effort.
Faced with a moral dilemma, Salomon must decide whethe
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A deft blend of suspense and docudrama, Stefan Ruzowitzky's sixth
feature focuses on history's largest counterfeiting operation.
Before World War II breaks out, Salomon Sorowitsch (the compact
yet steely Karl Markovics), a Russian-born Jew, lives the good
life in Berlin. He forges documents, like passports and
banknotes, and sketches beautiful women to the romantic strains
of tango records. Sorowitsch's dolce vita comes to an end when
he's sent to Mauthausen concentration camp. Once Reich officials
decide to deploy imprisoned printers, craftsmen, and bank
officials to counterfeit foreign currency, they draft Sorowitsch
for "Operation Bernhard" and ship him to Sachsenhausen. Though he
and his colleagues receive preferential , the threat of
execution hangs over their heads at all times. First, they master
the pound; then they tackle the American dollar. At this point,
communist co-worker Adolf Burger (The Ninth Day's excellent
August Diehl) suggests sabotage. As he explains, they're
extending the conflict and increasing the death toll, but the
entire team will suffer if they fail, even their SS supervisor,
Freidrich Herzog (Downfall's Devid Striesow), whose career
depends on it. As Jews, however, they stand to lose more than
their jobs. Based on Burger's book The Devil's Workshop,
Austria's Ruzowitzky (Anatomy) sheds a compassionate light on the
guilt and complicity of survivors. Though The Counterfeiters
plays more like a prison camp movie than a Holocaust
drama--Stalag 17 comes to mind--that doesn't make it any less
significant, just less wrenching than some of its counterparts.
--Kathleen C. Fennessy
Stills from The Counterfeiters (click for larger image)
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