Re-released in 2009 to mark 20 anniversary of Nirvana's debut
album, Sub Pop re-issue the Platinum Certified Bleach. Originally
recorded over three sessions with producer Jack Endino at
Seattle's Reciprocal Studios in December 1988 and
January 1989, Bleach was released in June of '89 and remains
unequivocally/unsurprisingly Sub Pop's very favorite Nirvana
full-length. The album initially sold 40,000 copies, but was
brought into the international spotlight following the release
and worldwide success of their 1991 sopre effort, Nevermind.
Subsequently Bleach went on to sell 1.7 million copies in the US
alone, according to Nielsen SoundScan. This 20th Anniversary
Edition was re-mastered from the original tapes at Sterling Sound
in a session overseen by producer Jack Endino. This standard
SPCD34 Bleach comes in digipack whilst also being available on
zeitgeist defining format du jour CASSETTE SPCS34 and of course
SP34. There's also the deluxe edition containing a 48 page
booklet and an unreleased live of a complete February
9th, 1990 show at the Pine Street Theatre in Portland, Oregon
BBC Review
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Recorded for a smidgen over $600, some Nirvana die-hards argue
that Bleach is Nirvana’s finest work. Such connoisseur’s say that
while Nevermind is revered as the soundtrack for ‘Generation X’,
its reluctant spokesman, Kurt Cobain, shows his true colours in
Bleach – before the unwanted fame that ultimately cost his life
took a hold.
Sopre release, Nevermind, gripped the music world and thrust
Cobain into the celebrity role he seemed to detest, but it also
triggered interest in Bleach and uncovered the gems that had been
hidden, with original sales of just 6,000 copies.
Subsequent Nirvana albums had a lyrical complexity to them,
matching the personal struggles that Cobain went through whilst
writing them. Bleach differs since its quality lies in the
simplicity of the songs that deliver the crux of the album – the
boredom of growing up as a confused teenager in a y part of
conservative America.
Kicking off with the dirty sound of “Blew” and “Floyd The Barber”
– a couple of furious, dark and muddy openers – the albums’
stand-out track follows. “All About A Girl” is a ballad that
should be used as a template by today’s Emo tyros, with Cobain’s
superb throaty vocal over a much poppier sound than much of what
we are normally used to from Nirvana.
“School” is the classic example of the minimalist grunge, with
just four lines hidden under a filthy base and the album reaches
a thrilling crescendo with the angry duo of “Big Cheese” and
“Downer”.
But it is what’s missing that makes Bleach important – Chad
Channing’s hit-and-miss drumming before Dave Grohl took over the
sticks and the frankly awful rushed production job that leaves
the album full of feedback and distortion. Combined, these two
factors are what make Bleach special, adding a chaotic and grimy
feel that Nirvana, as the darlings of the Seattle grunge scene,
stood for. --Anthony Leaver
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